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When is a kids movie not a kids movie? When times change, and the window of what’s considered acceptable language changes with it, it appears, with the news that the British Board of Film Classification — the organizing body responsible for movie ratings in the United Kingdom — has upgraded the 1964 Disney movie Mary Poppins to a Parental Guidance rating after more than half a century being classified as suitable for all audiences.

Before the change, Mary Poppins was classified as U, which is defined by the BBFC as being “Universal - Suitable for all,” with the official description of the classification reading in part, “U films should be set within a positive framework and should offer reassuring counterbalances to any violence, threat or horror.” That certainly sounds like the popular musical in which Julie Andrews plays a benign magical nanny who changes the lives of small, impressionable kids Michael and Jane by bringing some excitement, joy, and love into their home again… so what made the change in classification necessary?

According to the BBFC, the reason is “discriminatory language,” with the Daily Mail reporting that one word is responsible: “hottentots,” a term that appears twice in the movie. The term was invented by Dutch settlers in Africa to describe the indigenous population, before later being used to describe all Black people; in the movie, it’s used in reference to chimney sweeps whose faced are blackened by soot.

While the idea of a Disney movie being upgraded in terms of classification years after the fact might initially seem surprising, it’s perhaps the obvious outgrowth of the recent trend of attaching warnings to archive material warning, as has been the case for some time now for Disney. Anyone watching mid-20th century movies like Dumbo, Peter Pan, The Aristocats, or even more recent fare like 1992’s Aladdin on Disney+ will see a disclaimer at the beginning noting that the subsequent movie includes “negative depictions” and “stereotypes” that “were wrong then, and are wrong now.” What the BBFC has done is, in effect, simply a variation on Disney’s own approach to their classic material.

It’s also worth pointing out that this isn’t the first movie that the BBFC has retroactively changed classification on; in 2022, both Watershed Down and Star Trek: The Motion Picture were similarly upgraded from U ratings to PG ratings, as a result of concern that both movies might be too violent for modern audiences. (Mild language concerns were also factors in both decisions, as well.)

What might be something to consider is that, rather than an outlier or a rarity, the re-classification of Mary Poppins is, in fact, the start of a trend in which the casual bigotry of kids’ entertainment gone-by begins to be addressed and acknowledged by external bodies — and where the sins of the past start to be treated seriously as a problem that can’t be solved with a slight “oops” disclaimer at the start of the show. What might be the real question is, when will other countries’ movie classification boards start to follow the BBFC’s lead on this matter?

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